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Beauty ideals over the decades: 1970’s

Women began to revolt in the 1970’s. They wanted to be treated equal to men and empowered themselves by becoming self-sufficient, and stepped out of the kitchen and into the work-place. They had already started burning their bras (late 60’s) and wearing pants. This to rebel against their role as a sexual object and prove that “she” could be one of the boys (…or better).  As the era of the housewife was coming to an end, the motherly curves was out, and the cinema icon was no more. Instead, it was replaced by the free-spirited new ideal, of the independent, youthful and naturally skinny woman with a tan and rosy cheeks. After the cinched waists of the 50s and the super-slim models of the 60s forever changed the way women viewed their bodies, by the 1970s, the thinking-thin phenomenon was in full force.  The silhouette was slim and flared, and the androgynous hippie look was worn by both women and men.Clothing became sexier as the disco-style became the “it” thing. The classic look with lady-like dresses and classic suits became more loosely fitted. The glamour look became more revealing, paired with wilder hair and lots of accessories, such as bangles, pearls and fur. Most women aspired to imitate the ultra-glam ‘Studio 54′ look popularized by Bianca Jagger. Another big icon of the 70’s was the fresh-faced Farrah Fawcett. Her blown-out waves and natural makeup, demonstrated a mixture of the hippie ideals of beauty and the early disco trends. The bronzed skin, glossy lips, and layered, feathered haircut, revolutionized women’s beauty and became the look that every woman wanted to have.  This decade marked the beginning of the bronzed beach look and with it, the popular tanning booth trend. Women also began relying on bronzers and self-tanners to get that Charlie’s Angels look.Typical for this era was lots of wrap-style dresses, oversized sunglasses, very close fitting high-waisted jeans, bell-bottom pants, shirts with long pointy collars, frilly and flowy dresses, Mexican peasant blouses, platform shoes, shiny materials, sequins, tie-dye, batik fabrics, paisley and psychedelic prints. Strong or natural colors, highlighter colors, mismatched patterns, and colors such as brown, orange, yellow and red was very popular.  The standards of beauty reflected the values and commotion of the 70’s revolution, and natural beauty became the new look. Hair became a symbol of the era, as a powerful aid for projecting an image or making a statement. For most of the decade, men and women of all ethnicities wore their hair long, natural and above all free. Other new and typical hairstyles of the 70’s were, Olympic figure skater Dorothy Hamill’s short and sassy wedge cut. Men adapted Farrah’s “wingback” style into the center-parted, “feathered” hairstyle. The “rebellious” afro hairstyle remained popular and was also adopted by many mainstream men and women. Toward the end of the decade the punk movement arose in opposition to the hippie-influenced values of the era. Punks created a deliberately shocking, provocative look that included spiked hairdos dyed bright fluorescent colors, shaved and tattooed scalps, facial piercings and spectacular makeup. Although the 70’s played a big part in the history of the thinner ideal, it also spawned a revival of a more casual and natural look. Which in it’s own way has paved the way for the focus on diversity and that healthy body image that we are so conscious about today. Another important message from the androgynous 70’s (other than peace and love), is that fashion and clothing can be a powerful tool in the development of a more generous ideal and gender equality. The objectification of the female body, and the predetermined roles and virtuous of what a man or a woman should be, has often been enforced through mainstream fashion. The lesson that the 1970’s started to teach us, is that you shouldn’t have to erase or reinforce your gender-identity to demand the respect you deserve, or look or dress a certain way to be “woman/man enough”.As the 70’s icon, Iggy Pop recently said  -“I’m not ashamed to dress “like a woman”, because I don’t think it’s shameful to be a woman.” Just think about it….  SOME FASHION ICONS OF THE 70sFarrah Fawcett, Bo Derek, Jacqueline Bisset, Brooke Shields, Dorothy Hamill, Bianca Jagger, Angelica Huston, Olivia Newton John, Marie Helvin, Liza Minnelli, Cher, Patti Hansen, Debbie Harry (Blondie), Faye Dunaway, Jerry Hall, Ali Macgraw, Iman, Beverly Johnson, Janice Dickinson, Christie Brinkley Original article : 12/2/2014 – http://www.idealiststyle.com/blog/beauty-ideal-over-the-decades-part-6-the-70s

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Twiggy

Beauty Ideals over the Decades: 1960’s

The 60’s was all about youth and rebellion. It was the era that brought us hippies, “mods”, Twiggy, and the biggest change in ideals of the 20th century. It was the start of feminism and the hippie era. Designers started producing clothing more suitable for young adults, which lead to an increase in interest and sales. Jackie Kennedy introduced the pillbox hat, Mary Quant invented the mini skirt, and the bikini came into fashion in 1963 after being featured in the musical “Beach Party”. The ideal was super skinny and girly or ultra feminine and curvy.  Women were once again moving out of the domestic sphere and into the workplace, pursuing careers as well as an education. As a result, in the early to mid-60’s women reacted against the time-consuming, complex hairstyles of the 50’s and went for more practical short styles.Mimicking the popular skinny models of the day (such as Twiggy), women became obsessed with being rail thin. In terms of fashion and beauty, two polar opposites emerged: the androgynous hippie flower child and the modern swinging 60’s woman.  The very modern “Twiggy-girl” put time into her appearance and favored things like high boots (go-go boots), A-line coats, miniskirts, short shift dresses, culottes, PVC clothes and box shaped dresses. She also opted for short pixie cuts and dramatic eyes. There was only one makeup look throughout the 60’s, and it is famous for it’s black bold eyeliner, fake lashes and lighter lips. Mascara was applied to achieve the popular tarantula lashes.The hippie movement started late in the decade, having a strong influence on ladies’ clothing style, with emphasis on casual materials and shapes like bell-bottoms, tunics, and platform shoes. It also featured long no-maintenance hairstyles and typically avoided makeup.Popular culture, especially rock ‘n’ roll, had a big influence on the standards of fashion and beauty. In 1964, The Beatles created a revolution in men’s hairstyles with their their “mop tops”, making long hair fashionable for the first time since the 18th century. The British youth culture “Mods”, focused on fashion and music, and was known for driving around on scooters wearing well-tailored suits. Social movements such as Black Power and the anti-Vietnam War campaign also helped shape the perception of beauty in the 60’s. Many African-Americans rejected white-influenced styles such as the conk, and adopted the Afro as a sign of black pride.  The silhouette was straight, boxy, fluted and A-line. Some of the main styles were, lady like, preppy, girly innocence, ultra feminine elegance, and the hippie look.Accessories were less of an importance and the focus was on colors and tones. Lots of bold prints, stark contrasts and bright colors.  SOME FASHION ICONS OF THE 60sSuper skinny model Twiggy were in stark contrast to the actresses of the time, Jane Fonda (Barbarella), Sophia Loren (the “perfect” hourglass), Catherine Deneuve, Ann-Margret and Ursula Andress. Jackie Kennedy was also an important fashion icon.

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Marilyn Monroe

Beauty Ideals over the Decades: 1950’s

In the uncertain times following the end of World War II, tradition and conservative values made a big comeback. As men returned from battle reclaiming their jobs, women left their work-clothes behind and felt the need (fashion dictated) to be feminine again. After a long and costly war, sales were strengthened through advertisements illustrating what one should buy to become a better, happier and more desirable wife. It was a Mid-Century Conservative, and women were told that their primary goal was to catch a man and have a family. The effect was the creation of popular 50’s image of the glamorous woman at home, able to attend to all domestic chores without a hair out of place. Rule number one was that women were never supposed to leave the house looking sloppy. As a result, an extreme amount of time was spent living up to this ideal of beauty. The hourglass body type was highly desired, typified by the curvaceous movie stars of the time such as Marilyn Monroe and Grace Kelly. Corsets and girdles became the obligatory underwear of all well-dressed women. They were used to press, lift, pull, and support the body in all the right places to give a smooth, but dramatic figure. In spite of their discomfort, advertisements of these garments promised a better life. A typical 50’s silhouette had the “wasp’s waist”, full skirt or pencil skirt, three-quarter-sleeve tops and coats, full belted skirts, button-downs, and prim sweaters. Women were taught to dress to allure, but rarely showed a great deal of skin. The makeup-trend of the time was the “doe eye,” created with shadow on the lids, eyebrow pencil, mascara and heavy eyeliner, along with a flawless pale, peaches and cream complexion and intensely colored lips. Women’s hair suffered immense abuse, as it was teased, styled, sculpted and sprayed into a helmet of perfectly formed curls, waves and bouffants. It was usually kept short at just below the shoulders, worn in soft, curly, or wavy styles. Since straight styles were considered undesirable, rollers became a girl’s best friend.  The 50’s was the decade of the Pin-up, the era that gave us the launch of Playboy magazine and the idolization of the soft, coquettish woman with overt sexuality. The 50’s was about the extreme opposites of gender roles, with an emphasis on what the perfect woman or man should be. The cause and effect was an unattainable ideal created by the advertisement industry to entice people to buy more products. Comically, this unnatural attention to perfection still keeps a large amount of people nostalgic (for a better time), decades later.  Original article: https://www.idealiststyle.com/blog/beauty-ideal-over-the-decades-part-2-the-50s

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Rita Hayworth

Beauty Ideals over the Decades: 1940’s

The 1940’s fashion was heavily influenced by the second World War. As the men were away being soldiers, much effort was put into advertisements recruiting the housewife’s to take over as the workforce.Because of wartime restrictions, utilitarian clothing was most common amongst normal women. The focus was no longer on glamour and femininity, and the new value was in functional and practical clothing. As a result, Dior’s new look was introduced, and designers like Chanel, Dior and Elsa Schiaparelli started designing form-fitting, classy attires. Classically beautiful women such as Veronica Lake were idolized, and as society became more body conscious, women started to really pay attention to what they ate. Fashion accentuated arms and legs, so women lifted light weights to build muscle tone. The new padded stretch cotton bra was introduced and promised to minimize the waist and give a glamorous look.  Throughout the 1940s, Hollywood’s leading ladies continued to set the trends in women’s fashion. Longer, more feminine hairstyles became popular again, and women started to copy Bette Davis’s curls, Betty Grable’s topknot with ringlets, and Rita Hayworth’s gleaming waves. Veronica Lake created a sensation by wearing a lock of hair that covered one eye, also known as the “peekaboo” hairstyle . Hairstyles was now more feminine than they had been in the 20’s, and the hairstyle that most symbolized this particular decade, was parted on the side with soft curls falling over the shoulder. Hair color varied depending on which movie star one was trying to imitate. You could be platinum blond as Betty Grable, redhead as Rita Hayworth, or a brunette as Ava Gardener. By the 1940’s, makeup trends had become a little less dramatic and more of a girl-next-door kind of look. Thanx to (or not so thankful, depending on your view on the matter) the influence of screen stars on standards of beauty, the pasty white skin trend was finally passé. Tanned skin was perceived as a symbol of high class for the first time in modern history, and women started opting for foundations closer to their natural complexions. In the same way as the first world war had a big impact on society, World War II pushed the world into another fast-paced change, taking a big leap towards a more modern lifestyle, a more causal sense of fashion, as well as a new view on the role of being a woman. It was the decade of the classic Pin-up girl, the height of The Hollywood Golden Age,advertisements were filled with political propaganda (And not shy of highly inappropriate messages. By modern standards that is). Last but not least, it was also the awakening of the (unholy) union between body image and public media, leading to an externally influenced perception of the ideal of beauty.  SOME FASHION ICONS OF THE 40sBette Davis, Betty Grable, The pin-up girl of the 1940s: “The girl with the Million Dollar Legs”,  Rita Hayworth, Veronica lake, Ava Gardener, Jean Harlow, Judy Garland and Marlene Dietrich.  Original article: https://www.idealiststyle.com/blog/beauty-ideal-over-the-decades-part-9-the-40s

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